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Tabla: A Pair of Drums for North Indian Music
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| Pandit Nayan Ghosh, the great master of tabla and sitar |
Tabla
(not to be confused with Arabic tablah) is a pair of drums. It consists of a small right hand drum called dayan (literally means right) and a larger metal
one called bayan (literally means left).
Undoubtedly the most striking characteristic of the tabla is the large black
spot (called siyahi) on each of the playing surfaces. The siyahi (Siyah literally means black) is mixture of gum, soot, and
iron filings. Its function is to create the bell-like timbre that is the characteristic of the instrument. The invention of
sitar and tabla and many other things is attributed to Amir Khosro Dehlavi. There is a tendency among Indians to attribute
the development of almost everything to him. Anyway it is unfortunate that the history of the beginning of tabla is still
in dispute.
If
you like to meet some professional tabla players, please join the following group:
Indian Tabla Group
About
our tabla forum:
Greetings!
This group is for all those percussionists interested in Indian tabla and tala-s.
We welcome your participation. Please
introduce yourself, and remember to put your tabla related website URLs in the links section. The calendar too, is available
to all. Please keep all posts related to drumming, focusing on the use of tabla. Mentioning other instruments and music in
context is fine. However, political posts, flames, and those posts considered hostile or offensive to list members are off
topic, and repeated off topic posts are grounds for removal.
Peyman Nasehpour (the moderator) and Chris
Sampson (the co-moderator)
Tabla Links
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Buy the following eBook on Tabla: only $5.74
The book focuses on the concept of Indian rhythm, particularly as manifested
in North Indian art music, more popularly known as Hindustani music. Indian rhythm and percussive instruments have attracted
musicians and music-lovers across cultures and continents. The author has focused his attention on discussing various aspects
of the tabla, a twin-drum that has formed an integral part of Hindustani music, and has over the years been incorporated into
just about every form of music.
While doing so, the author shares his perspective as a performer with the reader, providing information about current performance
practice related to art music and to experiments outside the tradition. The illustrative bibliography, discography and the
archival photographs, add to the value of this book.
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drum, instrument, dayan, musicians, drums, Delhi, music, Dayan, Zakir Hussain, bayan, Indian,
skin, Indian percussion instrument, tablas, percussion instrument, pitch, India, styles, fingers
Official Website of Dr. Peyman
Nasehpour - Mathematician and Musician
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